The New Yorker:

From 2017: Reading Frederick Douglass’s Independence Day address from 1852 may ease the despair caused by listening to Donald Trump.

By David Remnick

More than three-quarters of a century after the delegates of the Second Continental Congress voted to quit the Kingdom of Great Britain and declared that “all men are created equal,” Frederick Douglass stepped up to the lectern at Corinthian Hall, in Rochester, New York, and, in an Independence Day address to the Ladies of the Rochester Anti-Slavery Sewing Society, made manifest the darkest ironies embedded in American history and in the national self-regard. “What, to the American slave, is your 4th of July?” Douglass asked:

I answer; a day that reveals to him, more than all other days in the year, the gross injustice and cruelty to which he is the constant victim. To him, your celebration is a sham; your boasted liberty, an unholy license; your national greatness, swelling vanity; your sounds of rejoicing are empty and heartless; your denunciations of tyrants, brass fronted impudence; your shouts of liberty and equality, hollow mockery; your prayers and hymns, your sermons and thanksgivings, with all your religious parade, and solemnity, are, to him, mere bombast, fraud, deception, impiety, and hypocrisy—a thin veil to cover up crimes which would disgrace a nation of savages. There is not a nation on the earth guilty of practices, more shocking and bloody, than are the people of these United States, at this very hour.

The dissection of American reality, in all its complexity, is essential to political progress, and yet it rarely goes unpunished. One reason that the Republican right and its attendant media loathed Barack Obama is that his public rhetoric, while far more buoyant with post-civil-rights-era uplift than Douglass’s, was also an affront to reactionary pieties. Even as Obama tried to win votes, he did not paper over the duality of the American condition: its idealism and its injustices; its heroism in the fight against Fascism and its bloody misadventures before and after. His idea of a patriotic song was “America the Beautiful”—not in its sentimental ballpark versions but the way that Ray Charles sang it, as a blues, capturing the “fullness of the American experience, the view from the bottom as well as the top.”

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