The New Yorker:

How should historians respond to the urgency of this current political moment?

By Emma Green

The trouble started with a writer on deadline. James Sweet, who goes by Jim, is a white professor of African history at the University of Wisconsin-Madison, and the former president of the American Historical Association (A.H.A.). Every month, he was tasked with writing a column for Perspectives on History, a magazine put out by the association, which is mostly read by academics. Last summer, while he was on vacation in Ghana, he was struggling to come up with a column idea, and so he started looking around for inspiration.

At his hotel one morning, “a group of African Americans began trickling into the breakfast bar,” he wrote. Sweet noticed that one of them had brought along “a dog-eared copy of The 1619 Project,” a book-length expansion of the Times’ exploration of America’s founding, which looks at the country’s origins through the lens of slavery and racism. Later, Sweet and his family visited Elmina Castle, a slave-trading post on the Gulf of Guinea. “Our guide gave a well-rehearsed tour geared toward African Americans,” despite the fact that “less than one percent of the Africans passing through Elmina arrived in North America.” To Sweet, these examples illustrated the temptation of “presentism”—a concept, often used by scholars in a derogatory manner, referring to studies of the past that are distorted by the ideas of the present. In his essay, he leaned on some other examples, such as “The Woman King,” a popular film from last year, which seemed, to him, to twist violent episodes of African history into a story of Black, feminist triumph. He also brought in Supreme Court decisions written by Justices Clarence Thomas and Samuel Alito, who made historical arguments to support decisions on guns and abortion rights. It was a list of strange bedfellows, but his point, or at least the point he wanted to make, was methodological. “We’re being inundated with history at all sorts of turns. No one is immune to that,” Sweet told me recently. “Certain narratives are harnessed in the service of particular political perspectives. For me, that’s a dangerous trend for professional historians to get drawn into.”

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